作者：安安卓安 来源：原创 发布日期：08-26
A | 今年暑假，位于湖北武汉的中国建筑科技馆古代建筑展厅焕新开放。 Samantha Ruth Prabhu and Raj Nidimoru entered wedlock a few days ago! While the newlyweds are still receiving congratulatory messages, we have learnt that the couple would collaborate professionally to bankroll films. Samantha, Raj collaborate professionally Much before their wedding, Samantha and Raj collaborated as director and actor, and also as a co-producer. Last year, Samantha launched her production house, Tralala Moving Pictures under which she produced the film, Subham. Raj was credited as creative producer for the film while one of his associates oversaw the production. Similarly, for Samantha’s upcoming film, Maa Inti Bangaram, Raj is the creative producer. But according to sources, Raj would be elevated to not just overseeing creative aspects but also involved in financial decisions, officially. Samantha worked with Raj for projects like The Family Man and Citadel: Honey Bunny. She knew his rich experience as a producer will come in handy in bringing down the cost of her production ventures. So going forward, we can see Raj would be credited as ‘producer’ for all Samantha’s films. On the other hand, Raj continues to work on his own web series in collaboration with DK (aka Krishna Dasarakothapalli). The duo reportedly has a couple of Hindi web shows lined up, apart from two theatrical releases. Sam-Raj to continue work from Hyderabad While Samantha and Raj have a residence in Mumbai, they continue to operate from Hyderabad where they also have a home. Both of them are set to return home shortly and resume work for their respective projects. Samantha is also in talks to headline a couple of Telugu films. It is being speculated that she is likely to announce them shortly. While balancing production (in collaboration with her husband Raj Nidimoru), Samantha aspires to act in films, although she is selective in picking up films. Also Read: Samantha Ruth Prabhu Reacts to Sheetal Nidimoru’s Heartfelt Post on Wedding。近日，经过精细化布展调试，该馆从武当博物馆借展的29件从未公开展出的明清古建遗构，全部通过全套定制尺寸支撑模具安装就位，配套展陈内容经古建专家校准，系统呈现了明代“北建故宫、南修武当”的皇家营建体系。 本次就位的遗构涵盖木雕、石雕、琉璃三类，布展全程严格参照武当山古建档案，所有构件均为整体运输，定制模具完全匹配构件的原构形制与受力点位。 重达300余公斤的明代石雕龙纹照壁盒子，采用青石深浮雕技法，龙首威严、海水江崖纹层次分明，安装时模具贴合浮雕轮廓，既避免压损纹饰，也还原了其在武当原址的倾角、朝向，完整保留了明代高等级礼制构件的规制特征； 明黄绿釉卷草纹琉璃隔扇门的定制模具避开釉面区域，仅托住边缘受力，清晰呈现了缠枝花卉、灵芝卷草的官式琉璃工艺，与故宫琉璃构件形制同源； 清木雕鹿形、狮形牛腿（专业名“撑拱”）经专家校准定名，明确其与枋下雀替的功能差异，安装时按承重逻辑固定，完整保留了鹿身梅花纹、狮鬃毛的雕刻细节，以便于向公众展示。 武当博物馆副馆长刘金燕介绍，这批构件都是武当山古建群的核心可移动遗构，此前从未离开过武当山，他们全程跟进布展，确保每一处细节符合历史原貌。 本次安装的琉璃构件龙纹形制、釉色配方与故宫官式建筑一脉相承，最大程度保留了文物的完整性。目前展出的梁思成营造学社未刊手稿，与同柜展出的琉璃构件形成“图纸-实物”互证，观众可对照手稿标注，直接找到构件上的模数化工艺细节。华中科技大学建筑与城市规划学院副教授万谦表示，这批就位文物填补了中原地区明代官式建筑实物史料的空白。 目前，这批文物已纳入中国建筑科技馆古代建筑展厅常设展陈序列，所有常设展厅全部免费向公众开放，馆方同步推出榫卯拼装、斗拱拆解等配套研学活动，让观众近距离感受古建文物的工艺智慧。
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Published on:12:03:21